Atomos Ninja V+ 5.2″ 8K HDMI H.265 Raw Recording Monitor

Atomos Ninja V+ 5.2″ 8K HDMI H.265 Raw Recording Monitor overview

 

If you’re shooting with an 8K camera, then why not record in 8K raw format using the Ninja V+ 5.2″ 8K HDMI H.265 Raw Recording Monitor from Atomos. The Ninja V+ is the same on-camera monitor/recorder as its predecessor the Ninja V 5″, but the Ninja+ now features a 5.2″ display and records and plays back up to 8K raw video to and from purpose-built mini-SSDs.

The Ninja V+ can record Apple ProRes raw up to 8K30 or DCI 4K120 directly from the sensor, and it is compatible with select cameras such as the Canon R5. It also includes a H.265 free-to-download license to record with the high-quality, low-bandwidth codec for up to 10-bit recording in ProRes 4:2:2. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V+ features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of on-screen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key further expand your Ninja V+ capabilities.

• A new chip supports higher frame rates and resolutions
• ProRes raw recording over HDMI up to 4K120 with Z Cam E2 and E2-M4
• ProRes raw recording over HDMI up to 8K30 with cameras such as the Canon R5 (more camera integrations coming from mid-2021)
• H.265 free-to-download license to provide 10-bit recordings in 4:2:2, 8-bit recordings in 4:2:2 and 4:2:0
  XQ: Bit rates up to 350 Mb/s
  MQ: Bit rates up to 200 Mb/s
  LQ: Bit rates up to 100 Mb/s

The Ninja V+ features a 5.2″ IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

• Record Apple ProRes and ProRes Raw with select cameras at rates up to 8K30 with select cameras and up to DCI 4K120
• Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
• Avid DNx compatibility enables wide camera and editing software compatibility.
• Display ten+ stops of dynamic range of your camera’s log image with AtomHDR
• 1920 x 1080 display with 1000 cd/m² brightness for daylight viewing
• 10-bit color processing and user calibration
• Supports custom LUTs.

Compatible with virtually any HDMI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM.

Record 8K30 or DCI/UHD 4K ProRes raw at rates up to 120 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

Record to standard 2.5″ SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

The Ninja V+ supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

• AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion for up to 8K30 ProRes raw video
• SDI Raw activation key
• AtomX SYNC for wirelessly synced, timecoded multicamera capture
• Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60
• SDI Raw is now supported on Sony FS700, F5, and FS5 cameras as of firmware update 10.71.
• ARRI Log C
• Canon C-Log, C-Log 2
• FUJIFILM F-Log
• JVC J-Log
• Nikon N-Log
• Panasonic V-Log
• RED LogFilm
• Sony SLog2, SLog3
• ARRI Log CEI160, CEI200, CEI250, CEI320,
• ARRI LogCEI400, CEI500, CEI640, CEI800
• ARRI LogCEI1000, CEI1280, CEI1600
• Canon C-Log, C-Log 2, C-Log3
• FUJIFILM F-Log
• HLG
• JVC J-Log1
• Nikon N-Log PQ10K
• Panasonic V-Log
• RED LogFilm, RG310, RG312
• Sony SLog2, SLog3
• ARRI ALEXA Wide Gamut
• BT.2020
• Canon Cinema, DCI P3, DCI P3+, BT2020
• JVC LS300
• Nikon N-Log PQ10K
• Panasonic V-Gamut
• Rec. 709
• RED DRAGONcolor, DRAGONcolor2
• REDcolor2, REDcolor3, REDcolor4
• REDWideGamut
• Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
• Sony SLog2, SLog3
• ARRI ALEXA Wide Gamut (mapping to Rec. 709/BT.2020/DCI-P3 on loop-out)
• BT.2020
• Canon Cinema
• DCI-P3, DCI-P3+
• Panasonic V-Gamut
• Rec. 709
• RED DRAGONcolor, DRAGONcolor2
• REDcolor2, REDcolor3, REDcolor4
• REDWideGamut
• Sony S-Gamut, S-Gamut3, S-Gamut3.Cine

Record a time-lapse video as a single file. Available in ProRes, DNx, and ProRes Raw over HDMI or SDI. Time-lapse sequence options include:

• Number of frames/seconds captured
• Intervals between frames/seconds/minutes/hours
• Duration of sequence in frames/seconds/minutes/hours
• Supports Leica SL 25 only
• Support for other models available in future updates

Buy the product at The Tomorrow Technology LTD.http://www.thetomorrowtechnology.co.ke